■ InterviewImpact not only feel the depth to think something to stop the foot
- In a sense, Okamoto-san for me there, such as "God."
- Lost the encounter of the college, which blew into the future
- From the failure at the time of production of the mural in Kenya reaffirmed the joy of painting
■ profileMiyazakiken schedule's
1978 Saga was born. 2004 Graduate School Master's Program Arts Graduate School graduates. It appeared on Fuji TV "piggyback" 2002. Since 2005, about two years, stay in London. 2006 "Kenya Mural Project", such as the 2007 "Tokyo street painting business", in addition to carry out such as live painting in Seiryokuteki, maker also program set production of NHK "enthusiasm time" since 2007. We will conduct a live painting by "Alife" (Nishi-Azabu) in December 2008. For more information about the exhibition information since 2009, until the official HP
>>ミヤザキケンスケ公式HPはこちら
"Myth of tomorrow" which is one of the masterpieces of artist Taro Okamoto is open to the public on November 2008 in the wall of the 2F access passage in SHIBUYA MARKCITY . In addition to this, the Shibuya / Aoyama area is dotted with Okamoto's works and related spots such as mural paintings, monuments and Taro Okamoto Memorial Hall that preserves the residence and atelier used before your life. Therefore, NPO corporation tomorrow's myth conservation succession organization commemorates the opening of "myth of tomorrow", holding "TARO WEEK". We introduce Okamoto works and spots in the Shibuya / Aoyama area at leaflet. Under the commentary of the staff and curators of this organization, I was influenced by Okamoto, and I also watched the work by a young artist Miyazaki Kesukusu who handled mural paintings and the like and walked.
»NPO corporation Myth of Tomorrow save inheritance mechanism is here
- The impression of seeing the "Myth of Tomorrow"?
He was seen wearing a view of the work and stopped a lot of people
Huge Naa, and. This would be impression everyone feel (laughs). And fix the image received from the work in words, "strong, scary, violent" or would be. This painting, which was first seen in the exhibition of the Museum of Contemporary Art Tokyo, and is decorated in the town, also It is a different impression. I also I know well because draw an outdoor murals, but because in the town there is a large and flashy billboards, art work, as shoulders is narrower, it would looks puny. But, there is also that it was originally drawn as a mural in Mexico, on the scale of this work, does not seem to need a worry about. Theme is that those depicting the human figure to overcome the moment of the tragedy that the atomic bomb is exploded in Hokoraka, but the moment I saw this painting, Picasso was think of "Guernica" depicting the bombing of the Spanish Civil War. Since Okamoto-san is so Picasso was loved, I imagine that must have taken a paintbrush excitedly as "I'll draw my own of the" Guernica "".
- Did you think that blend into the city of Shibuya.
It is a very unique piece, but strange that there is no sense of discomfort even here. In Shibuya, such as the musicians of the promotion, or probably because it is familiar to a huge advertising. However, the big difference is, in the case of advertising, even if there is to take a photo on your mobile phone and thought, "Do not cool", it would pass soon. Somewhere it's light I. But "The Myth of Tomorrow" is not only the visual impact, feel the depth to think something to stop the foot. Look young people of Shibuya do not know the author and theme of this picture is, heck, what to feel. There is no choice but to imagine, but interesting place. Now is reported comes a lot of people exhibition you think that the appreciation purpose because it is just the start, even if topicality is faded after a few years, I will continue to place a strong message sure to passers-by.
- How did you Miyazaki-san was interested in the Taro Okamoto?
Temple bell that has been placed in the Taro Okamoto Memorial Museum "delight". The upper portion of the projection is a representation of a human hand, not the thorns
From an early age, the images, such as imprinting of "artist = Taro Okamoto". But it is, the impression received from the TV variety show. Honestly, I thought that "somewhere shady Do" (laughs). Properly the saw is the work, I was a college student to re-boom has occurred. This was amazing Do not, I think. Not only painting, and have also made "Tower of the Sun" like a monument, "really Do'm artists who defy the boundaries." Since then, I became aware, between the Okamoto-san and I, feeling that caught people generation. Such as Shinohara Yujiotoko san and Genpei Akasegawa's, through the work of people who have directly affected Okamoto-san, will composition that I also have been affected by Okamoto.
- I heard has been respected that of Mr. Shinohara Yujiotoko.
In the Taro Okamoto Memorial Museum, "Taro Okamoto of hand" Exhibition is being held (From 2008/09/03Until November 30, 2008)
Yeah, too much to be respected, I was a college student, Shinohara went to see up to New York, which is activity. About one month, at Shinohara's atelier, let me be the help of work production, and interact with the young artists of the multinational to and from the studio in which, we received a very stimulating. I Shinohara, it's fast in the odd speed to move the brush. "Why, so I'm moving fast or?" When you hear that, the answer has been returned, "will Chimau finished life If you do not fast." I do not think that the past 70 years of age, but it is energetic words. Because to respect is such Shinohara is Okamoto, Okamoto-san for me is just there like God (laughs).
National Children's Castle has been placed before the "children of the tree."
