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It becomes a little drunk too much mystery and commentary in the video, but (laughs) ,,, that I wanted to say is, trout artist and the viewer (critics) are those of another dimension of dichotomy Attari, in the only artist expressive person, it is that it will not continue to place a piece.

Artist himself should make the work with a self-criticism to self-referential responsible, sometimes most of the critics of their own work, but we should combine the analysis eye.

On the other hand, viewers and critics just not there from the take the intent of the message and work of the author in one-way as a passive, but we should take their own perspectives and original appreciation way from there.

So an artist is what makes the criticism home, the viewer is what I should I become creative.

Therefore, each of the position that artist and the viewer is also the fact that the sometimes swapped positions reversed. Both are of the same meaning in the contemporary art.

Artist that this Hiroshi Sugimoto-san himself is also the artist, most of the understanding's own work, analysts, it's also an excellent curator.

And this more interesting thing about the movie, it, such translation is drawn to introduce the artists that in the play Hiroshi Sugimoto's, in fact, what we are seeing is not "Sugimoto's" and "his work", "video work" Yuko Nakamura supervision is the thing of.

Hiroshi Sugimoto's, we have consciously deployed in the establishment of the methodology and works or art exhibition. So it every single level of the work is of course great, but its this there is no real thrill of his view of the world. There you are viewing attitude of Sugimoto work to pump out the intention and the intention behind not.

So, this "memory of the beginning," what, rather than being told about crowded at the object that reflected (Hiroshi Sugimoto's own and works), should we talk about what techniques and methodology of Yuko Nakamura supervision.

In the video, Shinobu Terashima the words of Nakamura director we have spoken as narration.

But when it becomes in the middle of the movie to talk about Sugimoto-san and "depersonalization", we've penetrated the word involuntarily Nakamura, director of "What? It's from hell when".

There is, in the cornerstone of this documentary, I that there's one ,,,, its theme from time to depersonalization trend is to continue to lead the entire movie until the last moment.

That Tachiau in such moment of germination of seedlings in its supervision. Opportunity to give the force of gravity to the entire movie. Notice things. And ,,, how I went to make a movie from there

This "memory of the beginning" is not a never Sugimoto's movie, is the documentary work of undeniably Nakamura director. . .

If you look at that point this movie is a load mu Vee in degrees Nakamura supervision and vast Sugimoto continent, it reads also with her growth story.

Right now playing at Image Forum !!!!!!

http://www.youtube.com/watch?v=pWTuYNzrLjk

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