★ "Benjamin · baton"
Vivienne Sato Review ★

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If you come to David Fincher x Brat Pit the third work ("Seven", "Fight Club"), the fingers move in any way. I have been worshiping Bapi's esteem by now.

Even movie propaganda and copies mean "a once-in-a-lifetime work", "life is not a wonderful work", nor is it a story of a man of "a crazy life".
"Benjamin Button"Was a fighter image engineer Tyler Darden (Brad Pitt) who was a fighter "fight club", inserted a pornographic image into an animated movie and mixed urine into high class catering, was like a movie himself made (Tyler The alter ego / delusion created by the hero narrator, the story is the fiction that the original author Paragnac created. If you wrap a movie seen by a child in the genre "Family Movie", insert a porno there. It is to make it say "family movie" including that "hidden taste". Such a finish. If there is a movie of the genre of Hollywood's "Oscar work award", it tastes without knowing without knowing the bad taste flavor in induction legally "wonderful moving film". A prank is made exactly the same as Tyler Darden, making it together with a major production company as a movie of the genre of the "Oscar Work Award", appealing to the masses to a large extent, and hiding poison as a concealed taste. Director of 'Benjamin Button' is Tyler Darden himself. Tyler Darden has still survived.

About 15 seconds television commercial was streamed several times before and after the first day of movie screening in Japan. Without betraying the forecast at all, the actual content of the movie was nothing more than that. For 167 minutes, a feature length movie takes 15 seconds. It's about talking about stories or emotional imports. .

Bornjamin Baton was born with a birth of 80 years old and gradually rejuvenates and dies as a baby at the end. If you listen to only this, it is certainly a living organism, but this is a story of "if". A mother dying in the hospital's room will make her real daughter read the diary of Baton, and herself will also memorize that memory. . But Baton's flesh is certainly rare, but "acts" telling stories about memories in that room, "hurricanes" approaching, "World War 1 and" America "are both in the play It does not change to be an element of the same creation. It is not only that the baton's body is celestial. Do not forget that the image itself in the world is perfect fiction. It is only the fact that we see the cloth called Scree and the light projected onto it.
After meeting Benjamin and Daisy, we meet again in the 21st year. Just how do the two people look like the same age? It is a mirror in the room of the old nest of Benjamin, where both are reflected. The statue in this "mirror" is the only "truth" in this play. Like the folded turning point of the hourglass, only this moment reflects "now (eternity)".
Yang van Ike's "Portrait of Mr. and Mrs. Arnorfini". On top of the mirror is marked as "Jan van Ike, here is there."


Benjamin is also a fiction. All memories and history can be rewritten any number of times. Benjamin may not exist in the play. In the first place, the perspective of memories is ambiguous. If time is not a moment but time is continuous, it should be more clear as far as memory is, and it is blurred as it was a long time ago. In case of memorized memories it may be the opposite. . . The skin quality of Benjamin who takes over from a boy to an old man becomes homogeneous to the surface of the brain of her memory at that time of Daisy. Benjamin's skin rubs and assimilates as closely as possible with the brain of Daisy's memories.

A living human being surely dies, a dead man revives in various forms any number of times. This is the same thing in the play or the reality.

Vivienne Sato (non-architect)

With a non-architect, artist, Doraakukuin, illustrator, writer, the party ist ,,, and a variety of face. Ride to Tokyo with its own philosophy and aesthetics. Its disruptive, fragmentary words and deeds have won the consistency in Tokyo. . . Nanchatte.