Matthew Barney public Memorial Event
@ Aoyama VELOURS

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マシュー・バーニーのドキュメンタリー『マシュー・バーニー:拘束ナシ』(10/4〜@渋谷ライズX),『拘束のドローイング9』(10/25〜＠シネマライズ)にて上映イヴェント。
I, Memorial party decision Vivienne Sato at Aoyama Veroa! On the day in the entrance "V · S · O · P (Vivienne Sato, Oh, cable, person)" in the watchword of the entrance free !!!
If you do not want to wait until the weekend, more weekend is weak, who was away Ukiyo, we wait or be ~.


JACK opens every Wednesday
Electro Colors launch party ☆
Matthew Barney "of restraint Drawing 9" re-Film Memorial
★ hosted by VIVIENNE SATO ★

October 8 (Wednesday) Open 22: 00-LATE -PLACE-VELOURS (http://www.velours.jp)
ENTRANCE：1500YEN（with this mail & keitai mail：FREE） /1000YEN (with flier)

Japan exhibition of the largest art exhibition to the "Yokohama Triennale 2008" is also a topic, contemporary art superstar, Matthew Barney. In the passionate love story that played with Bjork partners approach the trust in public and private both, the movie "Drawing Restraint 9", which is also the record of creating his own sculpture, documentary of the public in Shibuya Lies X "Matthew Barney: restraint according to the No ", it is published in Tokyo for the first time in three years!

★ "Matthew Barney: No restraint"At Rise X, acclaimed public in! (2007)

★ "Drawing Restraint 9"Than 10/25 (Sat), 1 week unlisted at Cinema Rise! (2005)


A In Dansanburu electro set - colorful sound of Tisuto in the whole body, please feel!

DJs
ALEX (kazuNoco)
KYOKO (×××)
MILLA (Rollupjeaus!)
YONA BANANA

☆ "Drawing Restraint 9"(2005) ☆ 10/25 than (Saturday), 1 week unlisted at Cinema Rise!


Director, production, and Cast: Matthew Barney music, Starring: Bjork distribution: Wise policy (. Feat Suzuki TomoMiyuki)

Official site:http://www.wisepolicy.com/matthewbarney/?
Official Mobile Site:www.matthewbarney.jp/9

[Date] October 25 (Saturday) to October 31 (Fri.)

Vivienne Sato (non-architect)

With a non-architect, artist, Doraakukuin, illustrator, writer, the party ist ,,, and a variety of face. Ride to Tokyo with its own philosophy and aesthetics. Its disruptive, fragmentary words and deeds have won the consistency in Tokyo. . . Nanchatte.