New Year's party that came late in 2008
@ Shibuya Blue Room
☆"The New Year's party that came late in 2008"1/23 (Wednesday) Legendary store, blue room A famous store, blue room that nobody else knows about Tokyo's nightlife. On the middle Wednesday of the week, the “Large New Year's Party of 2008” gathered with too luxurious items. This time around, Shoin from Gorgeous, Emi Eleonora from Demi Zemi Quaver, Ms. Falk Koyama from male, Ms. Butoh from Madam, and Ms. Masako Togawa, and I'm a portrait of Vivian Sato. .. .. I will send it with the strongest member!
People who are still feeling New Year, people who can't reach New Year, people who are New Year holidays, and people who think that it's an annual event, why not visit the blue room?
Beautiful people are more beautiful, and if not, I Vivian will draw a caricature, including your aura. It should be a memorial to life.
We'll be expecting you.
I hate the party as I usually profess with a loud voice. We are always looking forward to those who say "Vivian's party is late so I can't go..." or people who hate self-proclaimed parties. Let's talk about how harmful the party is, talk hotly and happily over a drink. .. ..
★Details★ 1/23 (Wednesday) 19:00 to (19:30 start)
Reservation 2000 yen / 2300 yen on that day (order by drink) Vivian Sato (portrait drawing), Hiroyuki Matsuin (male liquor), Emi Eleonora (music geisha), Maiko. (Buto), Masao Koyama (folk of a man), Masako Togawa (chanson singer / novelist)
The blue room of Masako Togawa's Chansonier (chanson bar) was renewed to the live house style, and we were able to welcome the 8th year.
This year, I will take a leisurely walk through “somewhere” in Tokyo's cultural scene in the corner of Shibuya. The New Year's party in such a blue room should be a wonderfully strange time with "somewhere" condensed.
Please come and feel your shoulders weakened!
Blue room お問い合わせ:tel 03-3407-3564
Vivienne Sato (non-architect)
With a non-architect, artist, Doraakukuin, illustrator, writer, the party ist ,,, and a variety of face. Ride to Tokyo with its own philosophy and aesthetics. Its disruptive, fragmentary words and deeds have won the consistency in Tokyo. . . Nanchatte.