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Shibuya of future talks about the KEY PERSON key person

Long interview of [key personnel] to be active mainly in the Shibuya. Place a "Shibuya of appeal" through their words.

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1954 in Toyama Prefecture, was born. After the 1976 Meiji University graduation, through the theater company affiliation, and advertising agency work, An Introduction to the disciple Tatekawadanshi 1983. It is promoted in 1990 Tachikawa flow star performer. Including the 2005 Northern Japan newspaper culture Special Award, he won numerous awards. Currently, we perform a concert in the center of the whole country of the hall, enjoy a good popular enough to be referred to as the "now, most ticket is hard to take rakugo storyteller". In addition, NHK comprehensive "Tameshite Gatten", radio Nippon Cultural Broadcasting "Shinosuke radio storyteller DE date", in addition to working in the media, such as CM appearance, February 2008 New rakugo "joy of song" of Shinosuke teacher original in two days movie is nationwide road show.


Shinosuke Tachikawa rakugo makes a one month continuous performances in the PARCO theater "Shinosuke Rakugo in PARCO 2008" began from the New Year three days. 1996 had played a storyteller in Shinosuke's the first time Shibuya. There are, what kind of thoughts and the will would there has been a aim. Current state of mind that eve performances, including such as the theory of the young people words symbolized further to "Shibuya language", I was told to abandon.

Feeling that either try to do what is next for next year

"Shinosuke Rakugo in PARCO 2008" is it begins with --PARCO theater.

Every year since 1996, now get to do in the PARCO theater, one-month performance will be the third year at this time. Or it somehow, I'm not good races to keep doing the same thing. It will continue much the same repertoire in one month performance. This is quite painful. Not good to head to the body in the throat. When the first year is over, "Well done, I'll compliment myself," he said, and there was a great sense of accomplishment at the same time, and "Do not will not do this kind of performances again." However, the following year, I helped my doing. That it is in the third year. Well, if what I say before because I can only imagine I am proud to say the least, and "Do not be only to me" (laughs). Because I got to give that you can not only to myself, I will do my best this year. On the contrary, it is the place is honest are you with the feeling that or try to do what is next for next year.

--1 Months difficulty of the month performances, Will there around any.

Nante 1 consecutive months performances, does not it 's usually in the storyteller. But of course repertoire is decided before you go up on stage, I come changed world and are doing even one month. For example, 7 days from January 3 in the first seven days of the year, everyone heads have Innovation Bo, I like an atmosphere if Waraere because ANYTHING. However, when the wide show begins to flow, and if the agency do it is, and the expiration date is what was, will the world of air varies. Sonaruto, here also do you need Nokkara before starting the storyteller. Doing so, every day, to think about what to do go out, it is a place of very one-month performance. After that, it really late will accumulate fatigue. But in the play have heard Nante become as good as where the fix is ​​made later with a full when the curtain opened, the storyteller is completely different. Well if you asked whether it is better to come at the beginning, not really. To which day Even mistake is, because I believe that live every day. Unlike the drama that such a director, performers and staff there are many, the storyteller is probably performers is a rakugo storyteller himself director. It's a strange entertainment that are doing live while watching myself. And, there is also a very weak entertainment. Since speaking overlooks the atmosphere of the venue, I do become very concerned about the vacant is Potsunpotsun and seat. "Although it is sold out, why do it? There is a vacant seat," because the most painful do while cocking his head and, who had you bought a ticket, please leave us not forget please. Surprisingly it, I'm there are visitor Nante had the wrong part of the matinee and night (laughs).

Will wonders was good that the storyteller in Shibuya

How did you start the storyteller in --PARCO theater?

Previously, it was felt that the storyteller does not suit to Shibuya. It is not originally vaudeville, nor there is a perfect theater to storyteller. Shibuya of fashionable for young people, it was thought that what would happen if I put the pop storyteller. So, Shibuya, and the figure you're doing in the PARCO theater, I wanted to ask to see to their own customers. It is the origin. Gradually to them, I usually look like you come some people are watching a play, from the first time one month performance, it became every year more than 10,000 visitor gather. I will look to do rakugo in Asakusa, might wonder it's Shibuya. I guess of it was good. Not uncomfortable at all in now, I have done in the sense to call someone to his house.

State of "Shinosuke storyteller" in the last year

- When the storyteller in Shibuya, do you frame of mind is different from the other town.

Shibuya, and by things to do in the PARCO theater, consider how Ikeru made on how entertainment storyteller, has been fighting for 15 years. Rakugo is a tool to sit in front of the folding screen is only the sense and towel. Because they met, chipped off everything, I have a place which is not visible to the so-called entertainment. It, how we change. I PARCO theater of staff is a top-notch in the world of theater, I do not know the storyteller of thing. It's wonder want that I think I have for granted. Soredakeni is often born new ideas. It is a very fun process such staff and brainstormed the opinion, the make up a variety of production is. However, the trouble in the 1-month performance, "because it was this last year, this or this year. I see, in the next year?" And the like, be asked to change from the audience. This is, naturally, but it is do not pressure the rakugo storyteller is burdened (laughs). Only because PARCO theater, Will us with a sense of expectation in terms of the kind of entertainment.

- In recent years, but has continued to rakugo boom, Do you have any change in the thing.

It was difficult to read through the customer's head. Previously, I had come only those who think strongly that "want to see" is, people say "If keep seeing," "I want to see," has increased by now. Taking the questionnaire in one month performance, you have the audience of 83-year-old from the 11-year-old. Furthermore are our coming from all over Japan, from Hokkaido to Okinawa. I'm really happy, and the people to see for the first time storyteller, in the people who have seen satiate so far, laughing far from a slightly different. Is do I have sewn between them, it is quite serious. I, I think that the storyteller is the best of the service industry. Or the services of the type and angle and the amount of talk is set to how much is, every day, decide while watching the audience. It is a very, I interesting place.

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