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Movie "Edith Piaf Love Hymn"
Public commemoration party @ Aoyama velours

Large hit movie called In France saw one in ten "Edith Piaf Love Hymn"I am, finally from 9/29Shibuya Shinefuron ToWas decided early nationwide road show to!

外国映 画として初のアカデミー賞作品賞との噂まである わ。。。 

To commemorate the publicAoyama velours (Veroa)Party will be held at.
"UN BISOU VELOURS À AOIHEYA Veroa a ... kiss to the blue room."

This time what Shibuya of well-established store "Blue roomTogawa from "Masako veloours Veroa first appearance! ! !
Also Neo chanson song hand-Soiree and Sakaireiko, and the top in the chanson DJ Shusaku is dyed a venue to chanson one color!

I will in the "blue room!" Speaking of free admission as a man of privilege who looked at this blog! ! !

The movie almost covers the life of Piaf. Music, such as the familiar "Love Hymn," "rosy life", "water into the sink in," "the actual roll" is studded whole volume in Japan, or walked to what age a person is what fierce life of Piaf, ,, it has been condensed to a single movie of her too short life of 47 years.
Girls in the brothels of Pigalle from blind orphans. Murder suspect carriers to just start and drug addiction ,,, liquor and the man of the day-to-day,. . . Whether she was why France is of course to attract all over the world who sent such a fierce life. . . The Piaf role "Ecole"" Big Fish, "" Marion Cotillard was enthusiastically in the Provence of the gift thing. " She one person in charge from Piaf 16 years old to 47 years old.

Her acting, singing really was amazing. . .

Finish no easy viewing habit even movie and although it is a life of too dark Piaf. I movie is young and old anyone seen, et al.

"Edith Piaf Love Hymn" public commemoration party
9/12 (WED) 22: 00~28: 00 @ Aoyama VELOURS
Minato-ku, Minami-Aoyama 6-4-6 almost blue b1
entrance1500yen 
tel.03-5778-4777

Vivienne Sato (non-architect)

With a non-architect, artist, Doraakukuin, illustrator, writer, the party ist ,,, and a variety of face. Ride to Tokyo with its own philosophy and aesthetics. Its disruptive, fragmentary words and deeds have won the consistency in Tokyo. . . Nanchatte.

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