Fear to the easy-to-understand things

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『影向』。 松岡正剛×田中泯×宮沢りえ×石原淋。そして山本耀司。 この顔ぶれを見て、「いったい何が起きるのか」と誰もが思ったはずだ。 なんと贅沢な、不良の大人の悪ふざけの「遊び」だったのだろうか。 不幸にもその場で鑑賞できなかった人たちからは、「いったいどういう舞台だったのか？」と聞かれる。 そこで何が起きたのか、起きなかったのか。 そもそも「演者」とは一体何者なのか？「観客」とは一体何者なのか？そのような「問い」そのものが、この舞台に提示された（されない）ことだったのだと思う。 打上げ会場で、パルコのプロデューサーからは「ぜひ再演を」、「ぜひ地方公演も」と懇願されたと聞いた。

There is a script that has been decided over the details, there is a practice, the risk of pre-established harmony to things like the same thing is repeated every time. The temperature difference between the producer itself is not perhaps had been a significance did this performance.

If you report only the contents, beginning from Henri Michaux, Shuji Terayama, Tatsumi Hijikata, Michiko Ishimure, Franz Fanon, Koji Yasui, go continuous and Kenji Miyazawa ,,,. Like communicating cram school. Body and language, their own, currently the whereabouts of the subject is going to be lost. Are excerpts from newspaper articles of the day, based on the story of Turkish refugees who lost their homes over the Mediterranean Sea, they lost was the owner of the problem is going to be issued to light. . .

"Last News" which is the insert song Yosui Inoue and "Into the dream."

Everyday / extraordinary, stage / audience, acting / iodine, specific / general, upper / lower case, imaginary / real, past / future, such as going to collapse a variety of dichotomy of the boundary wall, such as, no go break. . . (The first place whether the thing enough to define the firm conflict was within us. How.) Heterogeneous, of different dimension things are mixed, multiplexes. But overlapping that part is not in any way are you turbidity, there is transparency, the wind is blowing through. Colin Rowe is describing the "Collage City", was visualized to those that can not see, such as the ancient Roman city planning and the current ruins. In the "city invisible" of Calvino, Marco Polo has mirrors the world itself to Kublai = Han. . .

Never shine without the moon itself. However, written in the second half of the stage, "Moon" is by changing their form in a variety of itself, become a light source by the projector, performers and stage equipment, seats and, illuminate all, such as the ceiling. It is drawn by Min Tanaka. In this world, will be anything other than one point called "Min Tanaka" is illuminated all. One point that can not illuminate the only one in the world. Nothing "darkness" and "curtain" that has lost Dasa were not the object reflects what, Yogo = gods are those that figure that appears to take the form of provisional, the "darkness" what is not named, but the eyes is also the space of the owner does not appear to.
Tanaka泯's drawing by the light is associated with the female Karin drawing of course the beginning of Henri Michaux.

At the end of the launch, "the Performing Arts has became to those more and more easy to see. Easy-to-understand things, performing arts of the only thing that is easy to understand it is a really very dangerous, horrible thing I" and feared the Min Tanaka's is impressive was.

Coincidentally, a place called "Matsuoka Seigo of Shinjuku number Shu Town," which is written at the beginning of this flyer is the apartment where I live now.
It is a place of raising an army of "tool company" of Matsuoka.

Festival of blemish (age spots), the arm of the scale
Various exercise
People Komu jump in the <no>
A variety of efforts to turning
While people are just alone, are flocking many
Mankind countless what moves forward
Added, spread, probably has spread!
Farewell to fatigue
Thrifty both feet animal of the base of the habitat of the bridge
Farewell pulled the sheath
人は　どんな他者でもいいが　（on est autrui 　
とにかく他者だ　　　　　　　　n'importe quel autrui）

Vivienne Sato (non-architect)

With a non-architect, artist, Doraakukuin, illustrator, writer, the party ist ,,, and a variety of face. Ride to Tokyo with its own philosophy and aesthetics. Its disruptive, fragmentary words and deeds have won the consistency in Tokyo. . . Nanchatte.