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★ the movie "" Do instant ", what was that? The "
Screening & Talk Show ★

映画『「瞬か」とは、なんだったのか?』上映&トークショウ@UPLINK(2/23sun出演 20:55上映、終了後トークショウ)

Last year, Sugadairo 5 Days, which was held from the end of October in November Ikebukuro Owl spot "Shun or".
Jazz pianist Suga die row and five pairs of dancers and performers who clash in improvisation, or an event such as the co-stars were made.

Documentary-style movie that paid the pattern went up can. It will be screened at Shibuya UPLINK than today. (2 / 22sat-28fri 20: 55-22: 25 screening after the talk show)
Tomorrow (2 / 23sun), I Vivienne Sato will be on stage.Http://www.uplink.co.jp/movie/2014/23619


5 Days nightly invited I a variety of people to the guest, it was held a talk show in the lobby for about 30 minutes to 1 hour.
It was a very unique thing also that appointment.
Iizawa Kotaro (photo critic)
Reiko Yuyama (writer) Nou Otani (musician)
Junichi Konuma (music and cultural critic)
Tatsuro Ishii (dance critic)
Ikunishi Yasunori (video production)

And, also piano of installation that was used at the time of Mr. Ameya Hohsui Corporation carried out by my hand, was a very valuable 5 days.

Date and time
Playing to 2/28 (gold)
Flat-rate ¥ 1,500 ※ Wednesday service Day off-label
Venue X (2F)
Movies fraction 80 minutes

● 2, May 22 (Saturday), "How to make the" Shun or "- the first part -" Guest: I brought the concept of "vs" to the Qing Palace Mausoleum one (Producer) "Boycott Rhythm Machine" music industry, such as "Sugadairo-seventh game." ringleader, we invited one Mr. Qing Palace Ling and I hear how to make a "Shun or".

● 2, May 23 (Sunday), "to come to vivi rounge Love" guest: Vivian Sato (drag queen) "Shun or" five-night performances telephone shocking manner talk show, which has been carried out every day in before the performance of, "vivi rounge Love large revival of as long as overnight is needed to "to!
What you or I thought to drag queen is nightly events nightly legendary! ?

● 2 May 25 (Tuesday), "How to make the" Shun or "- Part II -" Guest: Mr. Wozaki HiroshiMinoru to lead the stage production in Wozaki HiroshiMinoru (Producer) Owl Spot Since its inception, insatiable curiosity and foresight. Why "Shun or" has been able to make? We hear how to make a "Shun or".

● 2, May 26 (Wednesday), "Sugadairo legend" Guest: noise Nakamura (velvetsun products) at the moderator, at the time manager, while looking at the past photos of Sugadairo along with the noise Mr. Nakamura to support the Sugadairo, you bursting the legend.

● 2 May 27 (Thursday), "this documentary? "Guest: such as Jun Kawaguchi (video artist)" 77BOADRUM "" THA BLUE HERB "" kocorono ", a video artist who engaged in the most important music documentary that leads to modern, we invited Mr. Jun Kawaguchi as" Shun or "is What was that? the We hear the What was the.

The "" Shun or "What was that? The "(2014/80 minutes)
Cast: Norimizu Ameya, Ryohei Kondo, Hana Sakai, contact Gonzo, Iwabuchi SadaFutoshi, Misako Tanaka, Manami Kita, Sugadairo
Planning and Production: Owl spot
Producer: Wozaki HiroshiMinoru, Seimiya Ling one
Suga die low management: noise Nakamura
Production: Fukumoto YuYoshi
Public Relations: Shonaka Industrial Safety and Health
Acoustic: zAk
Lighting: Masayoshi Takada (RYU)
Stage director: Chiemi Takanashi, Nike Stage Works
Technology and stage: Shishido's
Lighting: Σ Takano
Sound: Yamada
Hair and makeup: Koreya Hatano
Voice MIX: Yamaguchi Mubedai
Stage Photo: Tachiwaki desk, Junko Kawachi
Shooting: Oishi Tadashimizuumi, Jun Kawaguchi, Taro Maruyama, border SenToshiko, Tetsuya Kogure, Hayao Tsunoda
Shooting cooperation: Kirita Hitomi, Higashimura SatoruWataru, Akiko Yamazaki, Atsushi Komatsuzaki Yamamoto Keizo, Watariue Aya, Koji Tsuchiya, Yasuhara Makoto, Yahata Meiko
Cooperation: limited company uplink Komai Ken嗣, velvetsun, Huge Stones, Oshima Jitsuo, Owl spot (Foundation and the island future Cultural Foundation), Toshima

Vivienne Sato (non-architect)

With a non-architect, artist, Doraakukuin, illustrator, writer, the party ist ,,, and a variety of face. Ride to Tokyo with its own philosophy and aesthetics. Its disruptive, fragmentary words and deeds have won the consistency in Tokyo. . . Nanchatte.

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