Shibuya culture project

More fun Shibuya! People who work, learn people, play information site for people

★ GRACE CONTINENTAL
Renewal ★

GRACE CONTINENTAL Daikanyama head office is reopened. From 8/3.

Splendid appearance and interior. "Colonial format" of saying Come fictitious. Some of the fictional power and taste, such as after going through the rule-ownership.
Various tiles decorated the detail and a lot of African masks, heavy curtain by hand embroidery from the tapestry. China Chinoiserie of the screen and Art Deco decoration, Indian swing and stores that Kubrick pattern of the Overlook hotel carpet of "The Shining" is or has been used as wallpaper ... folded time and style are mixed, is.
It has been exactly the space of a design idea itself of GRACE.
GRACE Africa and South America until now, Central America, the Middle East, we publish regularly the shooting location and concept book in a variety of areas, such as Russia ,,,,. Its view of the world of creation, not that fit the "fashion" only in the framework of the design and realistic close mere desk, we produce a world view that is outside of the clothes.

The top floor bridal order room. Such as stage costumes not only bridal So is the future we worked aggressively.
Interestingly, Jean-Paul Gaultier head office of that originally this Daikanyama head office location is due design Edward Suzuki. Japan's post-modern era of the dawn, was just iconic buildings and places. And RIKEL WOMEN is after that. And GRACE CONTINENTAL. The first place is a commercial facility and Colonial elements, it seems there is a colonial nature that already is also repainted many times there. . . City Tokyo representative of the post-modern, rather than repaint its mark, however, in order to leave its mark, it might be interesting if we proceed with inclusions time and format. . .

Http://www.grace-net.co.jp/

Vivienne Sato (non-architect)

With a non-architect, artist, Doraakukuin, illustrator, writer, the party ist ,,, and a variety of face. Ride to Tokyo with its own philosophy and aesthetics. Its disruptive, fragmentary words and deeds have won the consistency in Tokyo. . . Nanchatte.

Recommended articles