★ Hiroshi Sugimoto "memory of the beginning."
Acclaimed screenings in !!! ★

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Photographer Hiroshi Sugimoto's documentary film "memory of the beginning" is 3 / 31sat published on than Shibuya Theatre Image Forum has been decided. Coincidentally is the same day the public with the exhibition at the Hara Museum of Contemporary Art "to clothing from Hiroshi Sugimoto naked".

Work of Yuko Nakamura director was the assistant director of "VITAL" "A Snake of June" in the original Tsukamoto set.

, Who Keiichiro Shibuya is riding on the ride music now.

Shinobu Terajima narration that had your pregnancy news the other day.

In general, Hiroshi Sugimoto is seen as it is photographer. But than a matter of fact referred to as a photographer, not be satisfied only with a box-shaped device itself referred to as a camera, or the camera even has a moment do not use or a long period of time of the phenomenon itself to work the thing to leave forever. . .

It might be quite far from the so-called photographer of the general public, but that you are trying to do is that those "photograph".

Those that developed photographic (current) is also said to be artists to explore that which may be forever. . .

杉本博司が３０年間活動の拠点としているNYチェルシーのスタジオ内の製作現場から昼食風景、NYの個展会場のギャラリー、フランスプロヴァンスでの野外 製作現場、NYの街中、タルボット記念館、ニュージーランドシドニー、靖国神社、直島、そして小田原。。。それらの場所場所を中村監督は杉本博司と旅をし て行く。その間杉本博司の思考回路や哲学が徐々に紐解かれて行き、その旅は世界中の「都市」への旅ではなく、「杉本博司という世界」の旅であることにすり 替わって行く。。。　

In the meantime his famous discharge series, architecture series, continue to introduce theater series good tempo. And his upbringing from the LA study abroad era ~NY extreme poverty era, will draw the scene to determine the course as an artist rather than a commercial photo along with the introduction of career work diorama series. . .

The documentary film, we tend to confuse a lot of cases and "treated the material" and "the video itself". But you should the audience is watching "the video itself" in there, will discuss the "handled the material." The video is often if you have a transparency as possible in the documentary. But obviously we're looking at, "the video work" will keep in documentary film.

This thing that must be noted in the "beginning of memory" is the fun of the artist Hiroshi Sugimoto, the excellence of this documentary work.

Excellent documentary film condition is not only that you have to introduce clarity of the subject, must have crowded reflected supervision themselves and the era of. It must have been made by so to speak incorporate the current problems of the coach himself.

Therefore "memory of the beginning," this is not only pursuing the artist Hiroshi Sugimoto, Ri mower in the long road movie to be wandering the "Sugimoto world" Nakamura director himself, in among the Nakamura Director itself be a variety of go noticed, it is also very interesting, so to speak is a growth story (building Romance). . .

In the play, Sugimoto-san has told his own the "sparsity of presence."

At that time, the sudden Nakamura supervision that involuntarily turning the camera, rather than to speak in the dubbing to Shinobu Terajima who is the narration, would hear that "Is it from the time I was?".

Please do not miss the moment. . . The moment of the events that happened in Nakamura, director of the heart, is also the so-called core of this documentary video, it will become an important factor to continue to lead the story to the end. . . Viewers have noticed that you are witnessing at this moment is happiness. The germination of the moment is the growth in the video, bloom in the end with a bud flowers. The initial charge and share what is the real thrill of the documentary, it is the moment that we are also reminded that you are on a journey along with the director.

Then 19th century of the similarity to the ultra-precision engraving and photos of that Talbot of the tertiary function, and the Faraday cage of the Sydney Biennale, sea series, Mamoruo shrine reconstruction project of Naoshima, Nomura Mansai's and of collaboration, of Bunraku new interpretation project and the original capacity of the project, continue to introduce the Odawara project of the land of demise. . .

Finally, is this self-referential style of Hiroshi Sugimoto is directed to where, going to deploy it in a Nakamura director's point of view and the point of view of the same period of. . .

http://sugimoto-movie.com/

PS:

A few years ago, I saw the Hiroshi Sugimoto exhibition in Kanazawa "history of history".

A lot of those who were classified as Sugimoto flow to the room in is, are on display housed on the basis of some sort of homogeneous factor.

The room, which was entitled "electricity", "large glass" of Duchamp by R. Hamilton and photo group of Sugimoto's discharge series replication. And Raijin sculpture of the Kamakura period.

The room, which was entitled "Anatomy", F. Portrait of M. Leiris by bacon. Beautiful anatomical drawing of JG Dagodi that have been rave reviews by sur-realist. There was another something has been forgotten in the room.

Anyway, the sharpness of the perspectives and cut in the classification will remember even now. . .

Vivienne Sato (non-architect)

With a non-architect, artist, Doraakukuin, illustrator, writer, the party ist ,,, and a variety of face. Ride to Tokyo with its own philosophy and aesthetics. Its disruptive, fragmentary words and deeds have won the consistency in Tokyo. . . Nanchatte.